COSMO BARRANCA
Painting Pl  David Milne - Painting Place, colour drypoint
image: 4 3/4 x 6 1/2 in
(print found in the The Colonphon, A Book
Collectors' Quartery
)
 
 
The Colonphon, A Book Collectors' Quarterly
The Colonphon, A Book Collectors' Quarterly:  1931, Part V, contains a signed print by David Milne: Painting Place (colour drypoint, 8 5/8 X 10 3/4 in). A Book Collectors' Quarterly completed in the month of March 1931 for Distribution to three thousand subscribers. Publication and Editorial office of The Colonphon Ltd, 119 West 43rd Street, New York.
Price:   please inquire
Inventory # C16-00001
David Milne
Born in Canada, 1882 - 1953
David Milne, colour drypoint print, Painting Place, found in the The Colonphon, A Book Collectors' Quarterly.
Painting Place came about by accident. The artist, David Milne, had set out for a long walk near his home in New York State in 1926. He took a nap on Gambles Cliff above Big Moose Lake, and reported that 'The first blink on waking, before I lifted my head, introduced the frame.' The image was later reworked in three paintings and several prints, including this one, which was produced in 1930. The dead tree stump and painting materials in the foreground suggest the cyclical process of nature, with Milne's creative output becoming part of that cycle.
Milne (1882-1953) was born in Canada but moved to New York City in 1903. At this stage in his career he worked mainly in watercolour. After moving to Boston Corners in New York State in 1916, he began to experiment with drypoint, initially using a neighbour's mangle as a press. In 1925 he abandoned watercolour painting for twelve years to concentrate on oil painting and printmaking. He returned permanently to Canada in 1929.
Milne made this print using a unique method of printing in colour from superimposed plates that he developed. He removed the excess ink from his plates with a rag, leaving an uneven texture on the plate. By varying the wiping, each print becomes unique, with the wiping residue from each plate remaining as random flecks of colour. This version of Painting Place was printed to make money - it fulfilled a commission for three thousand drypoints (all inked and pulled by hand) to be included in the publication The Colophon. Milne had to create about eight sets of the plates and steel face them to protect the fragile burr as he printed so many.

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